Gay Film From South Korea A Big Hit

SEOUL, SOUTH KOREA - Just as "Brokeback Mountain" has become a pop-culture phenomenon in the United States, a gay-themed movie has racked up big box-office in South Korea.
"King and the Clown" — about a delicately effeminate male clown caught between the affections of a despotic king and a fellow performer — has sold more than 11 million tickets since its Dec. 29 premiere, making it the third-most popular film ever in this conservative country.
Even President Roh Moo-hyun has seen it. (By contrast, President Bush said last month he'd yet to see the Oscar-nominated cowboy romance.)
The surprise hit is about a troupe of entertainers condemned to die for an act mocking 16th-century King Yonsan but who beg to be pardoned if they can make the king laugh with their skit lampooning him and his favorite concubine. The clowns succeed and become court jesters.
Kong-gil, the gentle-faced male clown who portrays the woman in the skit, draws the king's attention — staging private puppet shows to Yonsan's delight but evoking the jealousy of clown leader Jang-saeng, who has always protected his friend from other men's amorous advances.
The gay story line is muted. The king and Kong-gil share one quick on-screen kiss.
The movie is based on a fictional play inspired by a brief mention in the king's diary about his favorite clown.
Homosexuality has only recently gained some acceptance in South Korean society, with its strict Confucian traditions and strong Catholic church.
In April 2004, the government removed homosexuality from a list of "socially unacceptable sexual acts."
Actor Hong Suk-chon caused a national sensation in 2000 when he became the first celebrity to publicly reveal he was gay. Hong's coming out cost him his job on a children's TV program, and he only returned to the small screen three years later — playing a gay designer.
Director Lee Jun-ik said he has been surprised by the success of "King and the Clown." He says it's because the audience enjoys a window into palace life and the class differences between the aristocracy and lowly clowns — not because of the homosexual theme.
"People who talk about homosexuality today have totally different concepts from the past," Lee said.
He said the story of the relationship between the king and the clown was based on the tyrant's emotional emptiness that his concubine Nok-su was unable to fill — not physical desire.
from The Pioneer Press